Opäť znesvätenie Baziliky svätého Petra: Petra dospelý muž tmavej pleti hodil na zem všetko, čo bolo na oltári - svietniky, monštranciu a oltárne plachty -, čím si vynútil evakuáciu a uzavretie kaplnky. K incidentu došlo 17. januára počas eucharistickej adorácie. Išlo o najmenej štvrtý nedávny akt znesvätenia v bazilike za posledné roky. Celkovo tieto prípady poukazujú na oslabenú ostražitosť, zníženú bezpečnosť a oneskorené reakcie vo vnútri baziliky.
Bazilika je UMELECKÝM skvostom. Ale ak RKC s modlárstvom neprestane tak dopadne určite zle.
Ani to najvznešenejšie umenie nikoho k Bohu neprivedie. Pretože je to len výtvor smrteľníka. Emócie k Bohu nevedú. Tam vedie iba utíšenie sa.
Mrkněte na toto krátké video o umění ve středověku tedy jednom z nich:
ODHALENÍ PRDĚNÍ PRDÍCÍ MAGIE PRDÍCÍ VÁLKY
Novamente uma profanação na Basílica de São Pedro: Na Capela do Santíssimo Sacramento de São Pedro, um homem adulto, de pele escura, atirou para o chão tudo o que estava no altar - castiçais, ostensório e toalhas de altar - obrigando à evacuação e encerramento da capela. O incidente ocorreu no dia 17 de janeiro, durante a adoração eucarística. Este foi, pelo menos, o quarto ato recente de profanação na basílica nos últimos anos. No seu conjunto, estes episódios apontam para uma vigilância enfraquecida, uma segurança reduzida e respostas tardias no interior da Basílica.
Znowu profanacja w Bazylice Świętego Piotra: Piotra, ciemnoskóry dorosły mężczyzna rzucił na ziemię wszystko, co znajdowało się na ołtarzu - świeczniki, monstrancję i obrusy ołtarzowe - zmuszając do ewakuacji i zamknięcia kaplicy. Do incydentu doszło 17 stycznia podczas adoracji eucharystycznej. Był to co najmniej czwarty akt profanacji w bazylice w ostatnich latach. Podsumowując, epizody te wskazują na osłabioną czujność, zmniejszone bezpieczeństwo i opóźnione reakcje wewnątrz bazyliki.
Ancora una profanazione nella Basilica di San Pietro: Nella Cappella del Santissimo Sacramento a San Pietro, un uomo adulto dalla pelle scura ha gettato a terra tutto ciò che si trovava sull'altare - candelabri, ostensorio e tovaglie d'altare - costringendo ad evacuare e chiudere la cappella. L'incidente si è verificato il 17 gennaio, durante l'adorazione eucaristica. Questo è stato almeno il quarto atto di profanazione nella basilica negli ultimi anni. Presi insieme, questi episodi indicano una vigilanza indebolita, una sicurezza ridotta e risposte ritardate all'interno della Basilica.
Ismét egy gyalázás a Szent Péter-bazilikában: A Szent Péter-bazilikában lévő Szentségkápolnában egy sötét bőrű felnőtt férfi mindent a földre dobott, ami az oltáron volt - gyertyatartókat, a monstranciát és az oltárterítőket -, így a kápolnát ki kellett üríteni és be kellett zárni. Az eset január 17-én történt, az eucharisztikus szentségimádás alatt. Az elmúlt években ez volt legalább a negyedik gyalázkodás a bazilikában. Ezek az esetek együttesen a gyengébb éberségre, a csökkentett biztonságra és a késedelmes válaszlépésekre utalnak a bazilikán belül.
Nouvelle profanation à la basilique Saint-Pierre: Dans la chapelle du Saint-Sacrement de Saint-Pierre, un adulte à la peau sombre a jeté par terre tout ce qui se trouvait sur l'autel - les chandeliers, l'ostensoir et les nappes d'autel - ce qui a entraîné l'évacuation et la fermeture de la chapelle. L'incident s'est produit le 17 janvier, pendant l'adoration eucharistique. Il s'agit au moins du quatrième acte de profanation dans la basilique au cours des dernières années. Pris dans leur ensemble, ces épisodes témoignent d'une vigilance affaiblie, d'une sécurité réduite et de réponses tardives à l'intérieur de la basilique.
S'il est une basilique où l'on s'attendrait à voir la sécurité bien visible, présente et vigilante, c'est pourtant bien à Saint-Pierre-de-Rome. Avant de profaner la chapelle en question, personne ne l'a vu venir, cet adulte à la peau sombre ?
De nuevo una profanación en la Basílica de San Pedro: En la Capilla del Santísimo Sacramento de San Pedro, un hombre adulto de piel oscura tiró al suelo todo lo que había sobre el altar - candelabros, la custodia y los manteles del altar - lo que obligó a evacuar y cerrar la capilla. El incidente se produjo el 17 de enero, durante la adoración eucarística. Este fue al menos el cuarto acto de profanación en la basílica en los últimos años. En conjunto, estos episodios apuntan a una vigilancia debilitada, una seguridad reducida y respuestas tardías en el interior de la basílica.
Wieder eine Schändung im Petersdom: In der Kapelle des Allerheiligsten im Petersdom warf ein dunkelhäutiger erwachsener Mann alles, was sich auf dem Altar befand - Kerzenständer, die Monstranz und Altartücher - auf den Boden, so dass die Kapelle geräumt und geschlossen werden musste. Der Vorfall ereignete sich am 17. Januar, während der eucharistischen Anbetung. Dies war mindestens die vierte Schändung in der Basilika in den letzten Jahren. Zusammengenommen deuten diese Vorfälle auf eine geschwächte Wachsamkeit, reduzierte Sicherheitsvorkehrungen und verzögerte Reaktionen innerhalb der Basilika hin.
In einer Kirche, in der seit Bergo den Priestern die Zelebration der hl. Messe untersagt ist, kehrt logischerweise der Dämon ein: Verlassene Altäre werden von den Dämonen bewohnt!
Again a desecration at St. Peter's Basilica: In the Chapel of the Blessed Sacrament in Saint Peter’s, dark-skinned adult man threw to the ground everything on the altar — candlesticks, the monstrance and altar cloths — forcing the chapel to be evacuated and closed. The incident occurred on 17 January, during Eucharistic Adoration. This was at least the fourth recent act of desecration in the basilica in recent years. Taken together, these episodes point to weakened vigilance, reduced security and delayed responses inside the Basilica.
On Saturday 17 January 2025, inside St Peter’s Basilica, in the Chapel of the Blessed Sacrament, during the customary Eucharistic Adoration, yet another act of vandalism took place. An episode that fits into an increasingly recurrent pattern and once again raises serious questions about the management of security in the most sacred place in Christianity.
Several extremely serious incidents in a short period of time
Since Mauro Gambetti has been at the helm of the Vatican Basilica as Archpriest, episodes of violation and profanation have multiplied. These are neither isolated incidents nor marginal gestures: the chronology points to unauthorised access, violated altars, damaged sacred symbols, often in the presence of the faithful and without any timely intervention by the sampietrini or the Gendarmerie...
...And yet, some of those present recount a precise sequence of events: the perpetrator was allegedly an adult man with dark skin who hurled to the ground everything that was on the altar: candlesticks, the monstrance and altar cloths. An act which, given the place and the circumstances, is of unheard-of gravity. The Chapel was cleared and closed to the public to allow everything to be put back in order.
What makes the picture even more disturbing is the order of silence that, time and again, is imposed on canons, sampietrini and those present. It is a practice that Mauro Gambetti employs on multiple occasions: the same logic already applied to employees with regard to what takes place within the Fabbrica di San Pietro (Fabric of Saint Peter). In this way, personal freedom is curtailed, those who might wish to bring the truth to light are discouraged, and a climate of psychological pressure is fostered, carrying the unmistakable taste of fear and intimidation.
An issue that must be resolved as soon as possible
Taken together, these episodes paint an alarming picture: weakened surveillance, reduced staffing, delayed reactions. The consequence is a less effective safeguarding of a space which, for the Catholic Church, constitutes the heart of the faith. Here the issue goes beyond simple public order: it concerns respect for the sacred, the protection of the faithful, and institutional responsibility. When incidents recur and grow in severity, silence and inertia become culpable...
...inside, under the management of Mauro Gambetti, for many faithful the space of the Basilica has for years become increasingly difficult to experience as a place of prayer, while security no longer appears to be guaranteed according to the standards required by a site of such importance. All this occurs as a result of an incompetent and nepotistic management of resources: many sampietrini have been removed from the Basilica and reassigned to office roles within the Fabbrica di San Pietro (Fabric of Saint Peter).
In this context, Silere non possum has documented over the years abuses of power and internal dynamics that have affected staff and the historic structures of the Basilica. The scandals that have emerged have been numerous, and the material collected – documents, videos, photographs – has outlined the profile of a deeply troubling management, with repercussions both for the Fabbrica di San Pietro and for the Vatican Chapter, which today appears, in effect, profoundly hollowed out...